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Art as Resistance, Public facing Actions
Last month Greenpeace was ordered to pay $667m to Energy Transfer pipeline company
for alleged damages derived from the Indigenous-led Standing Rock
protests in 2016 against the Dakota Access pipeline. An unfair trial,
which Greenpeace plans to appeal, is an attack on Indigenous sovereignty
and the entire climate movement, challenging our right to protest and
free speech. click image above to learn more
This month ecoartspace will collaborate with the Railyard Park Project in Santa Fe to present an interactive public art work in celebration of Earth Day titled Missing Waters, by east coast artist Stacy Levy. This is the second time ecoartspace is working with Levy; the first time for our annual exhibition Fragile Rainbow (2022), with her water installation Tide Flowers, created on the East River in Hudson River Park, Williamsburg, Brooklyn, New York. see below
For our Soils Turn speakers series, we will hear from the fourth in a series of five speakers focused this month on the economic value of soil. And, for our members only Plastic Dialogues, we have invited a hydrologist to share about the contaminant transport of pfas' in water. We also encourage you to listen in on the final program (via Zoom) for Plastic, The New Coal on view at The Descendants Project in Louisiana. see below
Our 2025 annual call for artists, Wicked, Monstrous,
which is focused on plastics, has begun receiving submissions, with lots of interest being communicated through social media. We invite you to consider
making new work (including proposals) addressing this often invisible, wicked, and monstrous
problem. see below
Have plans for summer? Interested to come to New Mexico? We still have three spots available for the Adobe Seed Sculpture and Natural Pigments Workshop in August, and will be meeting again online soon. email for more info
It's time to think BIG! Artists Need To Create On the Same Scale That Society Has The Capacity to Destroy (Metabolic Studio); individually and collectively. All hands on deck....
Patricia Watts, founder/curator
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CALL FOR ARTISTS, SCIENTISTS, DESIGNERS, & WRITERS
Wicked, Monstrous
For the 2025 ecoartspace annual call for artists, an online + print on demand book, we are seeking existing artworks, proposals for site-specific and speculative artworks, and writings addressing THE most impactful ecological issue of our time, plastics. Plastic production is a byproduct of the fossil fuel industry and, in almost 100 years, has become a wicked, monstrous problem. We invite artists, scientists, designers and writers to contribute to this creative "field guide" so that curators and scientists have entree to our members for participation in exhibitions and art/sci collaborations.
DEADLINE June 1, 2025
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Soil to Sky to Sea : Plastics, Pollution, Realities and other Possibilities From the Gulf South to the Globe
Panel Discussion, Thursday, April 10 RSVP
United States: 1pm HST, 4pm PDT, 5pm MDT, 6pm CDT, 7pm EDT
Australia: Friday, April 11, 10am AEDT In conjunction with Plastic, The New Coal an apexart International exhibition
Plastic, the New Coal will host a virtual conversation with artists, curators, lawyer Pam Spees from the Center for Constitutional Rights and others to discuss the realities of the plastics industry, the consequential sideeffects, the environmental consequences, and work to reimagine creative possibilities, from the Gulf south to the globe.
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Soils Turn Speaker Series
Claire Pentecost
Thursday, April 17
United States: 9am HST, 12pm PDT, 1pm MDT, 2pm CDT, 3pm EDT
Europe: 20:00 GMT, 21:00 CEST Australia: Friday, April 18, 6am AEDT
For the fourth of five online events for the Soils Turn Speaker Series, presenting the work of artists focused on addressing soils as art, artist and writer Claire Pentecost will relate some of her pleasures studying underground biology, including soil-erg commissioned by the dOCUMENTA(13) which proposed a new economy based on the value of healthy soil. This conversation will be moderated by co-editor of the upcoming ecoartspace printed book, Soils Turn, Dr. Alexandra Toland, Professor of Arts & Research at Bauhaus University, Weimar, Germany.
This event is free for members + one guest. $5 for non-members. All participants MUST REGISTER.
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The Railyard Art Project & ecoartspace presents Stacy Levy's Missing Waters, a large-scale water map painting event in the Santa Fe Railyard
Public Participation on Rail Trail between Railyard Park & SITE Santa Fe, south of Paseo de Peralta Friday, April 25,10am-4pm MDT
Opening/Meet the Artist at Railyard Park Community Room Friday, April 25, 5pm-6:30pm MDT Artist Talk/Panel Discussion at SITE Santa Fe, Marlene Nathan Meyerson Auditorium Stacy Levy, Basia Irland, Dominique Mazeaud & Bobbe Besold, Paula Castillo
Sunday, April 27, 1pm-2:30pm MDT
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PLASTIC, THE NEW COAL
is an apexart International Exhibition
Through April 15 (Thur, Fri, Sat 11-4pm)
at The Descendants Project, Education and Cultural District, 167 Alexis Court, Wallace, Louisiana Located along the Mississippi River in St. John the Baptist Parish
Co-curated by Monique Verdin and Patricia Watts, founder of ecoartspace*
Hannah Chalew*, Shana M griffin, Heather Bird Harris*, Pamela Longobardi*, Juan Carlos Quintana*, Renee Royale, Luba Zygarewicz*
Including a proposal for an outdoor Labyrinth by The Descendants Project, in partnership with Midlo Center for New Orleans Studies and Design Jones
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There Is No Planet B Through April 27
Scottsdale Center for the Performing Arts/Center Space Gallery in Arizona
Ulrike Arnold, Camilla de Andrade Bianchi, Barbara Boissevain, Cherie Buck-Hutchinson, Heidi Dauphin, Jan Talmadge Davids, Jimmy Fike, Moira Geoffrion, Nancy Gifford, Rachel Ivanyi, Adriene Jenik, Saskia Jordá, Mary Meyer, Alan Petersen, Martina Shenal, Diane Silver, Shawn Skabelund, Beth Ames Swartz, Jen Urso
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Our Environmental Future, Rooted in the Past: Renaissance of the Earth Artist in Residence at Kinney Center for Renaissance Studies, UMass Amherst, 2025-2026; interview with Liz Fox, Program Coordinator, and Marjorie Rubright, Director conducted by Olivia Ann Carye Hallstein
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lorrain mailer
I will Huff & I will Puff is a gleaming
tiny house on three legs, an elevated cube smothered with compact discs
that cascade
down from the pitched roof. If you duck down and go under the base, to
look within, you will find a lifecycle of forty years of the
compact disc. Once prolific, this man-made material has outlived its use
and consigned to landfill where it will take trillions
of years to disintegrate. A water
resistant and durable material that can be reappropiated within the
building industry, replacing slate and brick
tiles while reflecting heat out of buildings. The work has an aesthetic
quality with its multi-coloured
chrome surfaces reflecting the constantly changing landscape, swirling
sky, and yourself. www.lorrainmailer.com
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The New Geologic Epoch & Basia Irland: Repositories The second printing of The New Geologic Epoch has been delivered. We have nine remaining books ready to ship.
Go to store
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Sea Change: The Art of Karen Hackenberg is a recorded studio visit produced by the Tacoma Art Museum, Washington. March 19, 2025. Above
Bearing Witness is a review of Diane Burko's exhibition of the same title at Cristin Tierney Gallery, NYC, Whitehot Magazine online. March 1, 2025.
Musician finds the hidden songs in sticks and stones and penguin bones is an online article reviewing the work of eco composer and performer Cheryl E. Leonard, Palo Alto Weekly, March 13, 2025.
Communicating a World-In-Crisis is a recently published book with a chapter (13) by Ruth Wallen titled Visionary EcoArt: Stories for Regenerative Ecologies. Peter Lang Group, Bristol, UK. March 2025. P. 233-253. (electronic download for free)
For the Love of Trees: A Conversation with Nancy Floyd, Roger Hull Lecture Hall, Hallie Ford Museum of Art, Salem, Oregon. March 11, 2025. Audio recording
Time is of the Essence is a review of Katie Kehoe's photo-based wildlife shelters series, as part of the "Eyes on the South" featuring photographers in the Southern U.S., in Oxford American online. March 18, 2025.
Members' books available through our website click image
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ecoartspace has
served as a platform for artists addressing environmental issues since
1999. In 2020, we transitioned to a membership model. Members include
artists, scientists, professionals, students, advocates and institutions sharing
resources and supporting each other's work. This is an inclusive,
non-competitive collaborative environment where we imagine and make
real a healthy, equitable, resilient future.
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PO Box 5211, Santa Fe, New Mexico 87502
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